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- Review: A MAN AT ARMS, by Steven Pressfield.
- Review: TINSEL: A SEARCH FOR AMERICA’S CHRISTMAS PRESENT, by Hank Stuever
- Review: GENGHIS: LORDS OF THE BOW, by Conn Iggulden
- Review: RESCUING PATTY HEARST, by Virginia Holman
- Review: THE GHOST MAP, by Steven Johnson
- Review: THE HOUSE OF STYX, Derek Künsken
- Review: THE SENTINEL, by Lee Child and Andrew Child
- Review: LEGACY OF WAR, Wilbur Smith and David Churchill
- Review: THE LAST BERSERKER, by Angus Donald
- Review: THE BURNING LAND, by Bernard Cornwell
- Review: A PRINCESS OF ROUMANIA, by Paul Park
- Review: AGINCOURT, by Bernard Cornwell
- Review: 25 TO LIFE: The Truth, the Whole Truth, and Nothing but the Truth, by Leslie Crocker Snyder
- Review: THE ACTIVIST: John Marshall, Marbury v. Madison, and the Myth of Judicial Review, by Lawrence Goldstone
- Review: TO CONQUER THE AIR: THE WRIGHT BROTHERS AND THE GREAT RACE FOR FLIGHT, by James Tobin
- Review: PIRATES OF THE LEVANT, by Arturo Pérez-Reverte
- Review: FLYBOYS: A TRUE STORY OF COURAGE, by James Bradley
- Review: I’LL NEVER GET OUT OF THIS WORLD ALIVE, by Steve Earle
- Review: DEATH OF KINGS, by Bernard Cornwell
- Review: THE FORT: A NOVEL OF THE REVOLUTIONARY WAR, by Bernard Cornwell
- Review: THE BLIND CONTESSA’S NEW MACHINE, by Carey Wallace
- Overmorrow: Stories of Our Bright Future
- The Shadow of the Past: Historical Determinism in Modern Literature
- Bill James, Dave Kingman, and “The Man from the Train.”
- LOCK IN, by John Scalzi — the “Horrifying Scenario” Analysis
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